<aside> 💡 The chronology of Teatro San Carlo, curated by Enrico Tellini lists Corelli as the tenor for all six performances of the run (info from Pippo Martelli): December 19, 23, 27, 30, 1953 and January 2 and 6, 1954 But in the same time period Corelli sang two performances of Carmen in Piacenza (700+ km from Naples) as well: on December 28 and January 1, which makes the December 27 and January 2 performances in Naples practically impossible, while the December 30 (the date for the recorded performance in Radiocorriere) and January 6 performances somewhat unlikely.
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<aside> 💡 Rassegna melodrammatica does not name the tenor (”ottimo il tenore”) and gives the following supporting cast:
Rassegna melodrammatica also notes that “at the last hour there was a change on view, and instead of the heralded edition in the original, with all foreign artists, the opera was sung and performed by homegrown artists, with only maestro Artur Rodzinski remaining at the conducting podium.”
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<aside> 💡 In the Teatro San Carlo’s chronology, curated by Enrico Tellini, the following supporting cast is listed (from Pippo Martelli):
*But as noted in Rassegna melodrammatica, there was a last minute change in concept, and instead of the original French version with foreign artists, they gave the Italian version with an all-Italian cast.
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